Bosham,
church, village and tide.

Four photographs bring the village, its church and the tidal landscape into conversation.

A wide aerial view of Bosham beneath patterned clouds, with the village and church between blue water, green tidal flats and branching channels.
Bosham Panorama. Bosham held between the shore and a wide sky.

A place shaped by water.

I’m drawn to the way Bosham’s buildings and streets continue the patterns of its tidal landscape. These four views move from the branching channels towards the village, then close to Holy Trinity and its shingled tower roof.

Holy Trinity is a Grade I listed church with surviving Saxon fabric and a shingled tower roof. The church also appears in the Bayeux Tapestry, in scenes showing Harold at Bosham.

10 mm white border included in each stated paper size. The room and frames are illustrative; the console is a nominal 140 cm wide. No separate card mount is shown.

The church and its shore.

A closer view of Holy Trinity meets the wider village waterfront. The portrait gives the tower roof its lift; the landscape gives it a place by the water.

An illustrative room with a nominal 140 cm console.
Bosham’s waterfront curves around exposed green tidal flats, with houses, the quay, boats and Holy Trinity’s spire beneath a broad blue sky.
A close portrait of Holy Trinity, Bosham, showing its shingled tower roof and weathercock, sunlit tiled roofs, churchyard trees and estuary beyond.
At the Water’s Edge is shown on 45 × 34.25 cm paper beside Holy Trinity, Bosham on 34.25 × 45 cm paper. Oak frames; 6 cm gap.

A place shaped by water.

Two smaller views of church and village sit above the broader tidal landscape. Move between the places we build and the branching patterns left by water.

An illustrative room with a nominal 140 cm console.
Holy Trinity, Bosham, among red-tiled roofs, gardens and trees, with moored boats, blue water and exposed tidal flats beyond.
Bosham’s waterfront curves around exposed green tidal flats, with houses, the quay, boats and Holy Trinity’s spire beneath a broad blue sky.
A wide aerial view of Bosham beneath patterned clouds, with the village and church between blue water, green tidal flats and branching channels.
Church and Estuary and At the Water’s Edge are each shown on 30 × 23 cm paper, above Bosham Panorama on 45 × 26.19 cm paper. Slate blue frames; 4 cm upper gap and 3 cm between rows.

Four views. One Bosham.

A loose gathering of all four photographs, with the portrait and broad landscape balanced against the two village views. Shared colours hold the different formats together.

An illustrative room with a nominal 140 cm console.
A close portrait of Holy Trinity, Bosham, showing its shingled tower roof and weathercock, sunlit tiled roofs, churchyard trees and estuary beyond.
A wide aerial view of Bosham beneath patterned clouds, with the village and church between blue water, green tidal flats and branching channels.
Holy Trinity, Bosham, among red-tiled roofs, gardens and trees, with moored boats, blue water and exposed tidal flats beyond.
Bosham’s waterfront curves around exposed green tidal flats, with houses, the quay, boats and Holy Trinity’s spire beneath a broad blue sky.
All four use 30 cm on the long side: 23 × 30 cm for Holy Trinity, Bosham, 30 × 23 cm for the two village views and 30 × 17.75 cm for Bosham Panorama. Walnut frames; 4 cm between columns and 3 cm between rows.
Three Beverley Minster prints arranged on the Picture Room wall above Andy’s camera, brushes, watercolour box and model of Woody.

Andy Marshall’s Picture Room

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£12.99 per digital print. Choose two or more different prints for an automatic 15% saving.

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The stated sizes are the overall paper sizes. Optional mounts and frames sit outside the paper.

Make up to three personal prints. Print it your way with your own printer or outsource it to a professional printer.

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Each digital print is £12.99. Choose any two or more different works for an automatic 15% saving.

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