Each week I send out a short, fresh reflection from the road β photographs, sketches, and observations from old places that still have something to teach us. What follows is a moment from those travels.
Twilight
As I drink my pint of Ludlow beer in the Rose and Crown I can see the courtyard outside. The white brick infill is yellowing under the glow of the wall lamps which means itβs time to go out on my walk. This will be a walk into the streets of a town that governed the Marches in Tudor England, but more than that, it will be a journey into twilight.
Thomas Hardy called it βthe weakening eye of dayβ. The French describe it as: βentre chien et loupβ - between dog and wolf. We seldom see its magic in the summer; twilight slips past our shuttered windows while weβre fast asleep. Yet this is the time of year when it blesses our waking hours with its presence.
Whilst I walk along High Street, the buildings are tinted with a golden hue. As the sky softens, I can sense the day turning in on itself, the light tempered, beaten and bossed into thinness. This golden hour is turning blue.
And so the alchemy begins. The day is poised upon a knife edge. Windows glow like embrasures, and the light is so stoked into a pique of radiance that it bleeds into its surroundings.
During the blue hour the buildings are at their most permeable - a photographerβs paradise.

On King Street Ye Old Bull Ring Tavern is in transition. Twilight turns the mirrored grey of the snug window into a glowing stage-set with portraits as dramatic as a Shakespearean play. I stand transfixed, and watch the actors at work- until one man stands up and exits stage left, wallowed by a beer.
With the blue hour gone, the democracy of the sun is spun into a dictatorship of lamps. Along with the darkness, the air is saturated, heavy and damp, sheening the surfaces and muffling the cars. One vehicle cuts through Broad Street and splices the night into a carousel of light. The glow of its break-lights is mirrored in glossed doorways, metalled signposts and unlit windows. Another car conjures a glimpse of a house, rudely awoken from its slumber.

Spaces are emerging in this partitioned light where I can hide and observe. In Bell Lane I hear a knock on a door at the opposite side of the street. I can see a boy standing outside with a parcel in his hand. The door opens a few inches and the occupant peeps out - and then the door is flung wide open. The light spills out and frames an embrace that paints a story of kinship and connection. Shadows work towards beauty's end.
I put my camera away and head back to the van, but before I get there, Iβm snared into another luminous vignette. Through the panes of a crooked window an artisan is at work, completely taken by his craft, unaware of the joy it brings to the voyeur outside.
Stood here in the shadows, my journey through the night has spoken to me.
Even though daylight gifts me with the clarity of light, the twilight, in all its intricate beauty, has taught me truly how to see.
Choose how to join, share or support Andy Marshall's work
Connect with me on: Bluesky / Instagram / Facebook / X / Tumblr / Flickr / Vimeo / Pixelfed / Pinterest
Member discussion