
A Year in the Life: 5 January 2022
I decide to chance it. There’s an inch of snow. I take the tripod off the side shelf of the van and fix my camera to it. I open the side door and lose my footing as I step out of the van.
This isn't a list of the mechanics of photography - but touches more upon the process, the use of light and my experiences with the camera. I've found that it's the experience that counts - and there's over 30 years of experience diluted into these posts.
I decide to chance it. There’s an inch of snow. I take the tripod off the side shelf of the van and fix my camera to it. I open the side door and lose my footing as I step out of the van.
Welcome I’m an architectural photographer and writer. On my van-life travels through the British Isles I’m building up a word and photo-hoard of material culture that celebrates the value and distinctiveness of our built heritage and contributes to a sense of place.My van is my time-machine, it
At the start of our work into portraits, I had no idea how this project would impact my understanding of portraiture, or the strong bonds it would form beyond my work, especially with Carole.
I work with patience and knowing. The years of failure have steadied my resolve and, as I weave through the gorse with my camera and tripod, my mind threads between the past and the present.
For those moments, something miraculous had happened. During the action required to take a photograph, I had let go of my anxious self. From that day onwards, the veil of depression lifted. Photographing the priory had released me from my mental prison.
Every time I visit a building like this I’m gifted with new ways of seeing,
In our sunlit, beach-combed, selfie-world, it takes a little bravery to move into the shadows.
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