✨ Treasure Hoard: The Kissing Squeeze Stile at Middleham
Two monoliths lean towards one another, their great positive masses made meaningful by the sliver of negative space between. Pass through and the body completes the design.
Two monoliths lean towards one another, their great positive masses made meaningful by the sliver of negative space between. Pass through and the body completes the design.
The light is low, and as I look through the portal up towards the vaulting I see dragons. At the top of the open door that leads into the chapter house is the upward thrusting head of a dragon.
Next to me, the boss is the size of a dinner table – but from the tower crossing far below, it appears no more than a tiny dot.
Resting upon marble, it feels almost organic - as though it has grown from the cathedral floor and might continue growing.
Imagine all of the lessons absorbed within those walls over the centuries - audiences encountering the hubris of Macbeth, the crumbling pride of Ozymandias..
The minstrel appears to gaze out across the city while we stand beside it. For a moment we share its viewpoint.
For me, its singularity lies in what it still does: it makes arrival tangible.
It’s as if the sign itself became a talisman, drawing the building back into its original role - calling it home again as a pub into the present day.
Its finest secret rewards a visitor who crosses the threshold and looks back, beneath the inner lintel.
✨ Wondering why I ask for support?
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