Wells 9Digital Print
£12.99
Nine encounters with one remarkable place. Each moment of light given room to breathe.
Genius Loci
Atelier
Through my lens, from my hand.
Digital prints to craft into your own.
There’s a little of how I see the world in every photograph and artwork here. I’d love you to find one that feels at home with you.
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Find your connection.
Choose an image to explore its story, or see how it might feel in your space.
£12.99 each. A high resolution JPEG and printing guide. Printing and framing are not included. The purchase is for a digital file.
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120 works to explore
Wells 100Digital Print
£12.99
A hundred encounters with the west front of Wells Cathedral. A day of changing light gathered into one image.
Wells 1000Digital Print
£12.99
The west front of Wells Cathedral, gathered into a field of changing colour. Architecture on the edge of abstraction.
One cathedral. Three ways of seeing.
Explore Wells 9, Wells 100 and Wells 1000 together, at three scales of attention.
See the Wells series ↗
The sun held between the towers. A familiar place transformed by a fleeting alignment of light.
The warmth of a Beverley sunrise, recrafted through colour and geometry. An image I return to for its uplifting presence and the focus it brings to my day.
The first sliver of sun beside Beverley Minster, above layers of blue mist and the town’s dark silhouettes.
Beverley Minster at dawn, framed by a tracery of branches as the rising sun clears the skyline beside its towers.
The rising sun forms a brilliant halo around a tower of Beverley Minster, dissolving the edge between stone and light.
A decade of returning, and a morning worth waiting for. Beverley Minster held between branches, mist and the rising sun.
The sun lifting through ancient stone. For a moment, the Minster becomes a silhouette filled with light.
Twin towers, a great traceried window and ranks of carved figures. The west end of Beverley Minster in clear sunlight.
One Minster. Eight ways of seeing.
From sunrise glow to the glory of the west front, explore eight ways of seeing Beverley Minster and bringing the views together on your wall.
Explore the Beverley Minster collection
A spire rising from the water meadows. Mist, warmth and the promise of a new day.
For the briefest of moments, the spire cast its shadow through the morning haze. A familiar place, transformed by light.
A cold wait beside the water meadows, then the first sun. Form and morning light finding their moment together.
One cathedral. Three encounters with light.
Explore three photographs of Salisbury Cathedral, and find ways to bring them together on your wall.
Explore the Salisbury Cathedral collection
DoorDigital Print
£12.99
Colour, craft and centuries of human welcome. A gathering of doorways that rewards another look.
River, ruins and green hills, caught in a moment of perfect light. Bolton Abbey cradled within its valley.
A hundred small windows into the ingenuity of English architecture. Little crafted human devices for bringing light into the home.
Red.Digital Print
£12.99
Sixty-four encounters with one remarkable colour - held in brick, terracotta, timber, pigment, stone, metal and glass.
The little church in the sea. An island of green within a landscape shaped by tides and pilgrimage.
Sunlit tiles, a blue sky and the old stone threshold to Winchester Cathedral’s Inner Close. A sketch in ink and Copic brush pen from my visual diary.
A grand Oxford dome, a jumble of bicycles and a little architectural mischief. Drawn in ink and Copic brush pen for my visual diary.
First light from the castle walls. The cathedral catches the gold, and the rooftops have a little mischief of their own. Drawn in ink and Copic brush pen for my visual diary.
Evening sun catches the ochre plaster between the timbers. Drawn in ink and Copic brush pen for my visual diary.
Six brick gables, a sky full of notes and chimneys that seem to jostle for room. A sketch of St Leonard’s Close in Bridgnorth.
Choral light on the Night Stair. Warm trails of movement held against the ancient arches of Hexham Abbey.
St Mary’s fills the foreground, its flint walls and red tiled roofs held within the green of the churchyard. Beyond the trees, Breamore House adds another chapter to this Hampshire landscape.
Tower and baptistery, brought together in the light. An encounter with the deep history of Anglo-Saxon England.
A familiar street touched by a moment of wonder during the golden hour.
A flowering of Gothic imagination. Tracery, pinnacles and a spire rising above the village.
Light gathers the cathedral and the old town into one scene. Warm stone, red brick and the patterns of the rooftops beneath a wide blue sky.
LastinghamDigital Print
£12.99
Through the dragon door into the crypt at St Mary’s, Lastingham. Ink and watercolour hold the warmth of the stone and the light beyond the arches.
Spiralling columns and pale vaults hold the light inside the crypt at St Wystan’s, Repton. An ink and watercolour response to a remarkable space.
Light across the chancel arch of St Laurence, Bradford-on-Avon. A drawing made inside the church with Copic brush pens, holding the colour and feeling of the place.
A bridge, a lamp and a tumble of greenery on Mill Ghyll. An ink and colour drawing of one of Ilkley’s most delightful streets.
A bright red door glows between pale façades and a tangle of leaves. An ink and colour drawing from Mill Ghyll, Ilkley.
The warm tower of All Saints rises beyond a timber lychgate, with curling lines, deep green foliage and an open way into the churchyard. A drawing in ink and colour.
Yellow lamps, warm brick and a gathering at the bar. An ink and colour drawing of Broad Street Social in Bury.
A familiar York ritual: pizza, a place to pause, and flowers waiting to be drawn. A still life from Angel on the Green, Bishy Road.
Breakfast, local art, and the everyday life of Bishy Road. A drawing of The Pig and Pastry in York.
Sunlight across the sandstone tower of All Saints, Alrewas. At its foot, an ancient timber door holds the marks of people who have passed through.
A small church, a wide Anglesey sky, and a moment of making. Andy and Woody beside St Mary’s, held within its rounded enclosure.
Anglo-Saxon stonework, a neighbouring medieval church and the Humber Bridge: different ages held together in one view.
A thousand years of stone and changing light. The Anglo-Saxon tower at St Peter’s, held between warm sunlight and a blue sky.
A church, a village and the fields beyond. St Mary’s rises through the landscape, its spire catching the first light.
A golden needle above Bloxham. First light catches the spire and its weathercock against a wide blue sky.
The weight of the tower meets the lift of the spire. Lichen, carved stone and deep shadows gather the first light.
The whole spire held against blue sky. Warm, weathered stone rises from Bloxham into the first light.
First light across the living surface of St Mary’s. Lichen and quatrefoils turn the tower into a field of colour and pattern.
One spire. Five ways of seeing.
From the village landscape to lichen and carved stone. Explore five views of St Mary’s and ways to bring them together on your wall.
Explore the Bloxham collection
Andy Marshall’s Picture Room
Find a place for your own connections.
Choose photographs or watercolours, arrange them on the wall, and share a combination that feels your own.
Open the Picture Room
At the heart of the village, Holy Trinity looks towards the estuary beneath a clear blue sky.
A curve of village roofs follows the water’s edge, above green tidal flats and branching channels.
The estuary draws its branching lines across the shore, beneath a great sweep of cloud and blue sky.
The shingled tower roof of Holy Trinity rises above warm roofs, with the estuary and its boats beyond.
One place. Four ways of seeing.
From Holy Trinity to the village water’s edge and the branching patterns of the estuary. Explore four views of Bosham and ways to bring them together on your wall.
Explore the Bosham collection
A church held within the curve of an ancient hillfort, beneath a wide Leicestershire sky.
An ancient church with an Anglo-Saxon round stair turret, gathered among Brigstock’s trees and rooftops.
Early stonework, a circular stair turret and a later spire, gathered into one sunlit view.
The sweep of an ancient church, from its rounded stair turret to a later medieval spire.
A rounded stair turret presses against the tower, its masonry warmed by the sun.
Two forms meet in the sunlight: the curve of the stair turret and the square mass of the tower.
A small window, an old doorway and a wall alive with the patterns of reused Roman brick and stone.
A wooden door sits beneath an arch of reused Roman bricks, set within the textured wall of All Saints.
A close encounter with the red, broken and weathered surface of a reused Roman brick.
Fragments of red Roman brick meet dark stone and pale mortar in the wall of All Saints.
Reused Roman bricks radiate around an Anglo-Saxon opening, turning an arch into a pattern of light and colour.
From micro to macro. Eight ways of seeing.
From the texture of reused Roman brick to the forms of All Saints. Explore eight views of Brixworth and ways to bring them together on your wall.
Explore the Brixworth collection
Cotswold limestone, lifted from the earth and shaped into the streets, doorways and rooflines of Burford.
The church rises beside the Windrush, its slender spire reaching into a blue sky filled with clouds.
Warm light catches the spire as the church stands between Burford’s close-built streets and the river.
An Anglo-Saxon tower patterned with long-and-short work, blind arches and baluster-divided openings.
Purple shadow, pale limewash and a Romanesque shrine, drawn as winter light slips away.
Light woven through a Norman arch. An ink and watercolour drawing of the changing interior at St Andrew’s, Bolam.
Firelight, conversation and walls full of stories. An ink and colour drawing of a Winchester pub that feels like a local.
From the inside out. Conversations, old timbers and the everyday life of a Shrewsbury pub, drawn with the sketchbook open on the table.
The bustle of Skipton Market, across a counter full of colour.
Warm washes, fragments of old colour and the weight of a Norman arch.
An icon of modern design, explored through curve, shadow and line.
Warm light and a moment at the bar in one of Lichfield’s small parlour pubs.
Ilkley DoorDigital Print
£12.99
A doorway I return to, and the feeling that draws me back.
Firelight, conversation and a sequence of rooms in my favourite pub, seen across a wide panorama.
An octagonal lantern and a glorious rhythm of Perpendicular windows above the Nene valley.
The Nene curves past Fotheringhay’s motte and bailey castle earthworks, linking village and church to a much larger history.
Four arches cross the Nene, with summer green reflected beneath them.
Green joinery, yellow tiles and a raised glass at Bistro Lotte. A drawing of the layers between a Frome shop window, the street and the room beyond.
A welcome out of the rain, held in warm light, timber and the curve of a pub counter.
A circular window, medieval carvings and light moving through a place I return to.
The pleasure of Gothic curves, traced in ink and colour.
A broad sky over Hawes, where St Margaret’s rises above the rooftops and the Dales begin at the edge of town.
A curve of street, a jumble of rooftops and the abbey above them. Hexham’s history written into the shape of the town.
Light across a medieval tower, its traceried windows rising above the churchyard beneath a clear Buckinghamshire sky.
A great tower above red roofs, with the open arches of the ruined east end below. Howden Minster at the heart of its town.
St Mary’s within a sweep of autumn colour. A painterly panorama of Lastingham, where village lanes curve around the churchyard and the moors rise beyond.
The rhythm of Perpendicular windows unfolds beneath a wide Suffolk sky, in a church shaped by the medieval cloth trade.
Dark flint, pale tracery and clasping buttresses give Lavenham’s great tower its unmistakable presence.
French Gothic forms rise above a Hampshire village. A faceted apse, fine tracery and a bellcote held against the blue.
A roof becomes a drawing. Diamonds of purple and grey-green slate unfold above the churchyard.
A small flash of gold above a broad Hampshire landscape. The weathercock gives the sky a point of connection.
Three spires rise from the close-knit pattern of the city. Warm sandstone, rooftops and water beneath an open sky.
A small tower with a landscape to itself. Kirkoswald’s detached belfry stands above the church so its bells can reach the village.
A church below, its bell tower above. St Oswald’s unfolds through the depths and heights of the Eden Valley.
The River Eden turns towards a red sandstone bridge. Water, gravel and the repeated curves of the arches find their own rhythm.
Slender shafts, soaring arches and a small figure looking up. A personal encounter with the south-east transept of Lincoln Cathedral.
A city revealed through its details. The buildings, doorways, lettering and textures that contribute to York’s spirit of place.
One for the architecture geeks. Peter Ellis’s remarkable Liverpool office building, where Victorian detail meets a bold new world of iron, glass and light.
Holy Trinity above the green. A great Suffolk wool church, its long sweep of windows set among fields, trees and the red brick of everyday life.
Town, church and castle. A kind of holy trinity of place, held together by gardens, winding streets and the wooded Welsh hillside.
The church at the heart of the place. Flint, warm roofs and a sweep of Suffolk countryside around St Peter and St Paul, Clare.
OundleDigital Print
£12.99
A spire above a town of warm limestone, gardens and winding streets. Oundle beneath a broad Northamptonshire sky, full of places for the eye to wander.
An old crossing over the Afon Teifi. A rhythm of arches, moving water and Welsh green, for anyone who has ever stopped to look a little longer at a bridge.
First light near Lamphey, Pembrokeshire. Golden sky, mist across the fields, and Woody by the roadside. A little of the freedom of being out there.
A great medieval survivor in the company of its town. Sunlit limestone, open green and the roofs of Pershore, with centuries of change held in one view.
The tower in sunlight, the marks of vanished roofs and a glorious meeting of architectural ages. A closer encounter with Pershore’s remarkable survivor.
A line of arches beneath an enormous Yorkshire sky. A passing shaft of sunlight catches the viaduct and the fell beyond, turning a moment on the road into something worth keeping.
A sky opening into pink and gold. The monolith and the church hold their ground while another day begins over Rudston.
The monolith rises through a sky of blue, rose and gold. A human act from the distant past, given scale by the light of a new day.
The sun breaks the horizon beside the monolith. Warm light, cool sky and an ancient presence at the very edge of morning.
Sunlight slips between the monolith and All Saints. A prehistoric monument and a medieval church sharing the same extraordinary morning.
Golden light travels across the monolith and the church. Weathered surfaces, Gothic windows and the marks of lives lived on this ancient ground.
Three moments as dawn unfolds around the Rudston Monolith. Light, landscape and deep time come together, and for a moment time seems to stand still.
A copper dome among Yorkshire’s fields and drystone walls. An unexpected flourish.
An immense summer sky, green meadows and Salisbury’s slender spire. A familiar cathedral seen as part of the living landscape around it.
A shingled spire, a wonderfully characterful tower and a great sweep of blue. St Clement’s, gathering the character of Romney Marsh into one individual outline.
Patchwork roofs, green fields and a church with a character all its own. St Clement’s at Old Romney, held within the green openness of the marsh.
A different path, perhaps?
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Craft something
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Once you’ve downloaded your digital file - you are free to choose the paper, try a mount or give a favourite frame another life. Enjoy a little time making something tangible, with a place you love at its heart.
Print it your way.
Make a smaller print at home or choose a professional printer. Keep things simple or have something made. Choose a finish that suits your home and your budget.
Your download is the same high-resolution file whichever printing route you choose.
Explore the Door printWhat do I receive?
A high resolution JPEG to download and keep, with a printing guide for your chosen work. You are buying a digital file, rather than a physical print in the post.
How do I turn the file into a print?
Print at home, or use a local or online professional printer. Give them the file and its printing guidance, then choose the paper, finish and frame that belong in your space.
How many prints can I make?
Up to three prints for personal use. You may give the file to a professional printer solely to produce them. The file is not for resale or redistribution.
Can I print larger?
Resolution falls as the print gets larger. Check the artwork’s recommended size, speak to your printer and consider a proof before printing beyond it.
Andy Marshall’s Picture Room
Find a place for your own connections.
Choose photographs or watercolours, arrange them on the wall, and share a combination that feels your own.
Open the Picture Room
